Trevor Jackson Speaks On His Entry to London Nightlife, And METAL DANCE
With his two-disc collection of alternative dance music (which he claims could be called "Trevor's Teenage Years") coming soon, the man behind Output Recordings, Playgroup, and too many excellent record sleeve designs to count sits down to tell us a little bit more about the aforementioned teenaged years. His discussion of exposure to London club life as a fourteen-year-old make us nostalgic for one of the golden eras of nightlife. The music on Metal Dance just makes the the feeling hit that much harder...
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Norman Jay MBE & the History of Good Times
As we celebrate the anniversary of one of our favorite, and certainly one of the most influential sound systems, it's nice to be able to take a look back at the development of Norman Jay's Good Times, and his shaping of popular tastes. Through conversations with Norman himself, and those close to him, we get to see some of the many things that made (and make) Good Times so special. Hats off to Norman, and to the parties which have brought so many people together.
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Horse Meat Disco On The History of Sleaze
Encyclopedias of disco knowledge that they are, it's always educational to hear the Horse Meat Disco guys hold court on the subject of music history. One such topic on which they have a lot to say is the after-hours disco sub-genre known as Sleaze, made popular at seminal NYC night clubs like The Saint. In fact, the entire second disc of the London collective's latest mix album functions as a Sleaze survey. Not familiar? See what the guys have to say in an interview with the mighty djhistory.com (encyclopedias in their own right). Both discs of HMD III are likely to soundtrack more than a few parties this summer.
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Interview with Orchestre Polyrhythmo
Read here how the new Orchestre Polyrhythmo album came together, and their experiences playing outside of Africa for the first time.
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The Story Behind Sofrito: Tropical Discotheque
One of London's most respected warehouse party series, DJ Hugo Mendez and his Sofrito crew have built a name for themselves as top quality purveyors of Tropical sounds of all sorts. While putting together their debut compilation for Strut, we sat down with Hugo as well as artist / designer Lewis Heriz to hear the story of how Sofrito came about, how it grew, and how it's amazing poster artwork has developed. Sofrito: Tropical Discotheque will be out in January 2011 on Strut.
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Ebo Taylor On The Road In Ghana
This one is really cool. At the beginning of the year, Afrobeat Academy played a series of shows with Ebo Taylor in his home country of Ghana. Traveling with the group, Tom Bass shot some fantastic footage of the country, the performances, and of Ebo behind the scenes. The pieces with Ebo looking through old memorabilia and records is especially interesting. Hard to imagine traveling with a true legend of African music in his own country! This might be the next best thing.
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Ebo Taylor's Journey Through African Music
Ebo Taylor could almost certainly fill a book talking about his musical history. A close friend of Fela Kuti's and fellow originator melding African music with sounds coming out of the West, Taylor has collaborated and performed with a connoisseur's dream list of African musicians, and is responsible for more than his fair share of classics. On the eve of his first internationally distributed solo album, we had a brief chat with the Ghanaian legend about his musical career and some of his favorite collaborators. Look for more video footage coming soon, and make sure to catch Love And Death, recorded with Berlin's Afrobeat Academy, this October.
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Danny Krivit On The Subtle Art Of The Edit
Danny Krivit is pretty much an un-ending well of knowledge, so any time we're able to pick his brain for a little bit it's a happy occasion! Leading up to his second collection of soulful re-works aimed at the dance floor, the master editor and record collector gave us a run-down of his history in the cutting room, some of his favorite edits, and his general philosophy of how an edit works best. Edits By Mr. K Vol. 2 will be out in September on Strut. If you're in NYC, come party with us Sunday the 12th for 718 Sessions at Santos Party House to celebrate the album's release!
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Mulatu Astatke Catches Up With Strut's Quinton Scott for Okayafrica
Mulatu Astatke is a busy man. We've always known this, but after speaking with him recently, we realized that he has even more on the horizon than we were aware of. He recently spoke with our own Quinton Scott about his upcoming film soundtrack, opera (!), and education center. Kind of makes us feel like a bunch of slackers... Head to Okayafrica to read the full interview.
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Walter Gibbons Remembered By Danny Krivit & Tony Smith
The love we've received on our Walter Gibbons retrospective has been pretty amazing, from a full piece in the Wall Street Journal, to a "Best New Reissue" on Pitchfork, to all the feedback we've been receiving on Twitter, Facebook, etc. In the same spirit of celebration of Gibbons' life, Danny Krivit & Tony Smith, both also DJ legends in their own right, took some time out to share some of their favorite memories of Walter with us. Very interesting stuff, including gems like the fact that it took some of the subjects of Gibbons' remix work some time to warm up to his style. Check it out, and look for Jungle Music out next week, and you can look forward to a new Edits record from Danny Krivit in the very near future!
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Lloyd Miller Plots His Musical Evolution
In the last video we posted, Lloyd Miller explained some of the instruments he used for his collaboration with The Heliocentrics. In this one, he sheds some light on his complicated musical lineage, including residencies in various jazz clubs from LA to Frankfurt to Stockholm, a stint in an extremely popular French "weird jazz" ensemble, a television show in Tehran, and even a near performance at Woodstock. We're happy he ended up where he did! His full length collaboration with The Heliocentrics comes out next week.
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Dr. Lloyd Miller Shows You The Instruments Used On His Heliocentrics Collaboration
Lloyd Miller is a pretty fascinating guy, and it's a pleasure to get to see him enumerate and explain some of the instruments he used for his collaborative album with The Heliocentrics. It's hard to imagine finding the time to learn all of these different instruments, but they definitely make for a uniquely textured album. We also shot an interview w/ Lloyd going into his rich history, including a near performance at Woodstock! Look for that here in the next couple of weeks. "Lloyd Miller and the Heliocentrics" will be out at the beginning of August.
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Mulatu Elaborates On The Tracks On Mulatu Steps Ahead
The title of Mulatu Astatke's album Mulatu Steps Ahead isn't just a nod to his jazz roots, it's also an acknowledgment of the fact that his music has been slowly evolving since the late 60's and early 70's output for which he remains most known. A collaboration with musicians of varying ages and nationalities, his first solo album in over 20 years refines his singular musical vision and builds upon the foundation he has laid in his storied career. In this video, Astatke explains the intent and process involved in different tracks on the album. Mulatu Steps Ahead is out now!
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Arthur Russell As Remembered By Bob Blank
As a creative force in disco, Arthur Russell is unmatched. In the third edition of our interview series, producer Bob Blank discusses working with the man behind the classics "Go Bang," "Is It All Over My Face," and many more. Our anthology of Blank's work, The Blank Generation is out this week, and as you can see below, it's streaming in full all week over at Spinner.com.
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Bob Blank On The Making Of Fonda Rae's "Over Like A Fat Rat"
Still moving butts on contemporary dancefloors (and the source of the bassline to Eric B. & Rakim's "Eric B Is President"), Fonda Rae's "Over Like A Fat Rat" is one of the most enduring classics of the disco era. The track was written by Leroy Burgess
(of Inner Life, Universal Robot Band, Logg, Phreek, etc.) a man whose
own contributions to the time period are legendary themselves, and is
an instantly recognizable slice of modern soul perfection. For part
two in a series of interviews, producer Bob Blank discusses the making of the track, its unique arrangement, and just what it means to be getting "over like a fat rat." The Blank Generation: Blank Tapes NYC, the first ever compilation of Blank's work will be out February 2nd on Strut.
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