When it comes to the career of legendary session musician Alan Hawkshaw, it’s best to let him do the talking. He’s been involved with more amazing projects than we can count, and practically everything he’s had a hand in has become prized by collectors of heavy funk. We were lucky enough to sit down with Hawkshaw recently to discuss his incredible career in music, spanning his earliest groups, the KPM period, his involvement in the breakdance classic “The Champ” by The Mohawks, the transition to the disco era, and the embracing of his music by modern DJs and producers.
Our collection of essential library music on the KPM label, Music For Dancefloors, is available now.
Why do we love library music so much? Take a listen to John Cameron’s “Swamp Fever” for an idea. Air-tight musicianship, out-front back-beat, sparse arrangement, crisp recording, effortlessly funky. It’s as if it were made with the beat lovers of the future in-mind.
“Swamp Fever” is featured on our Music For Dancefloors collection, and originally appears on one of the heaviest and most sought after of all KPM LPs, Afro Rock, recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973. As well as being a library music veteran (with over a dozen different LPs recorded for KPM and Bruton Music since the ’70s), Cameron is a bona fide film composer whose credits include Kes from 1969 and 1973’s A Touch Of Class (starring Glenda Jackson and George Segal) for which he received an Academy Award nomination.
Music For Dancefloors: The KPM Music Library (Deluxe version) is released on April 2nd on 2xCD (original studio recordings and live concert), 2xLP featuring the original studio recordings and 2xCD insert of the full CD content, and digital (original studio recordings and live concert).