Horse Meat Disco’s weekly residency at The Eagle is a London Sunday institution; a place for revelers to stave of the work week for a few more hours of dancing and debauchery. The party is a truly unique and affirming experience, and one of the reasons we connected with the crew for a series of compilations of top-notch disco treats. If a trip to London isn’t in your near future, this video takes you inside the club. Shot over Easter Weekend, it captures much of what we love about Horse Meat Disco.
Taken from the album Inner Fire, “Celestial Blues” sees Ottawa’s Souljazz Orchestra exploring their roots with an incendiary cover of Andy Bey’s rare groove classic, first recorded with the Gary Bartz NTU Troop back in 1971. In the spirit of the cosmic nature of the track, the visuals for the music video are culled from vintage public-domain NASA documentary footage from the early 1980s…
One of the distinguishing qualities of Trevor Jackson’s Metal Dance series is its visual aesthetic. Jackson’s work as a graphic designer plays as much part as his role as compiler, and a stark black and white visual identity has become a trademark of the series
In this new video mix edited by Tom Parsons, bleak and striking images float over a selection of tracks that will be featured on Metal Dance 2, which is out now!
Despite differences in nationality, age, and personal history, Soothsayers and Cornell Campbell seem to have a natural chemistry together, which comes through on their collaborative project Nothing Can Stop Us. You can also see it in their interaction with each other in the studio, where the two artists discuss their initial introduction via well-known Jamaican producer, and their work together on the Nothing Can Stop Us project.
When it comes to the career of legendary session musician Alan Hawkshaw, it’s best to let him do the talking. He’s been involved with more amazing projects than we can count, and practically everything he’s had a hand in has become prized by collectors of heavy funk. We were lucky enough to sit down with Hawkshaw recently to discuss his incredible career in music, spanning his earliest groups, the KPM period, his involvement in the breakdance classic “The Champ” by The Mohawks, the transition to the disco era, and the embracing of his music by modern DJs and producers.
Our collection of essential library music on the KPM label, Music For Dancefloors, is available now.
In the late 70’s and early 80’s in Communist Romania, Rodion Ladislau Roșca and his band Rodion G.A. created a hybrid of electronic music, psychedelics, and progressive rock that, decades later, has revealed itself to be remarkably ahead of its time. After years of obscurity, and only a handful of singles ever released officially, Rodion’s music is finally getting the recognition it deserves. This is the story of the music, conducted as an interview with Ion Dumitrescu of Bucharest’s Future Nuggets crew. Rodion speaks from his home in Romania about way he created his music, the creative climate in Communist Romania, and the sad fact that he feels that even the renewed interest in his work is coming too late to make a difference in his life.
The Lost Tapes, the first ever commercially released album of Rodion G.A.’s music, is due May 28th on Strut Records in association with Future Nuggets and Ambassador’s Reception.
Here’s the second half of our video documentary on Celluloid Records. Bill Laswell and Grandmixer DXT, part of Celluloid’s production brain trust, speak on some of their production work together outside of the label, including Herbie Hancock’s groundbreaking song “Rockit,” and PiL’s Album with Ginger Baker. Label founder Jean Karakos also speaks about signing Fela Kuti to Celluloid. Hearing info on these projects and more from the mouths of their creators is one of the reasons we love what we do! Change The Beat: The Celluloid Records Story is out now on double CD, double LP (w/ CD insert) and digital download.
The story of Celluloid Records is a complicated one, and one that goes deeper than the music. Vivien Goldman did a fantastic job of outlining some of the label’s history and context in her liner notes for Change The Beat, and now we have the pleasure of learning even more from some of the key players in the label’s storied history. Filmed in Paris and New York City, this two part series features producers and musicians Bill Laswell and DXT (formerly Grand Mixer DST) and founder / owner Jean Karakos. Part two in the series will be posted shortly. Change The Beat: The Celluloid Records Story is out now on double CD, double vinyl w/ CD insert, and digital download.
Romania, late ’70s, early ’80s. Ceausescu is in power, the “July Thesis” has been passed and, because of the increasing censorship of arts, music has become dominated by polished domestic pop-rock and nationalistic festivals. There is only one label in operation, the State-owned Electrecord. Cut to Cluj, Romania’s second city. A home-made studio, a bank of Tesla reel to reels, an East German Vermona drum machine, a toy Casio VL Tone and a small Soviet-made Faemi organ, adapted with fuzz and flanger pedals. There’s visceral, other-worldly music being made here and it will remain hidden for 34 years….
The story of the Fangnawa Experience collaboration is one best told by the artists themselves, and that’s exactly what we’ve done in this video feature on the project. The guys in Fanga and Maâlem Abdallah Guinéa & his musicians don’t speak the same language, but they were able to connect via their dedication to music. Watching them perform together is a real treat, as is the closer look at the instruments (the qraqab and the gimbri) used by the Gnawa players. Fangnawa Experience experience is out November 13th.